Looking for medina, metius, media, medic?

few dwelling huts in an atmospheric rocky riverside setting; in a wood case — Misty Trees and Mountain Range, early 17th century
Dong Qichang

G203

Scholar in Landscape, Liu Yuanqi — Scholar in Landscape, 1601
Liu Yuanqi

G203

Skeleton Father and Son Doing the Bon Dance, second half 19th century

Doi Gōga

G237

thin, tall bamboo sprigs at R in gray and black — Southern Mountain Bamboo, 1822
Ema Saikō

G237

gnarled branches with dense flower blossoms made of spots of ink and ink wash — Plum Drawn from the Mind, first half 19th century
Baichi Dōjin

G237

in a wooden box with inscription on outside of lid; has ivory knobs; image of a monkey on the R side hanging from a branch and leaning to touch the ground/water; inscription along L edge — Monkey Playing with the Moon Reflected on the Water, 20th century
Fukuda Kodōjin

G225

close up of tops of onion plants, frond tips, and blossoms in varying stages against olive green background — Onion flowers, 1966
Tanaka Ryōhei

G226

narrow lane with two trees; stone wall at L; buildings at L and R and in background; shadows from tree leaves on lane — Roadway in Shade No. 2, 2007
Tanaka Ryōhei

G226

sparrow perched at L on delicate blossoming branch; another sparrow flying, about to land at R — Birds on a Plum Tree, 1795
Itō Jakuchū

G225

snow-covered trees on large boulders lining small inlet at bottom; a few small buildings lower center visible behind trees and inlet; in background, mountain tops rise through clouds; inscription URQ — Sudden Snow Dances in the Whirlwind, 1875
Yasuda Rōzan

G223

snow-covered trees and rocks in foreground; snow-covered mountains in background; figure with straw cape walking across bridge at LL carrying objects hanging from pole over PL shoulder — Landscape in the Snow, first half 19th century
Imaōji Yūzan

G223

Dragon [right of the pair Dragon and Tiger], Yamada Dōan — Dragon [right of the pair Dragon and Tiger], 16th century
Yamada Dōan

Not on View

Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., Nicolas Africano — Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., 1963
Nicolas Africano

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], Sesson Shūkei — Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century
Sesson Shūkei

Not on View

Hanging scroll — Landscape, 18th century
Unknown Japanese

Not on View

Priest Riding a Donkey, attributed to Kano Naonobu — Priest Riding a Donkey, 17th century
attributed to Kano Naonobu

G221

Winter Tree, Tanaka Ryōhei — Winter Tree, 1967
Tanaka Ryōhei

G226

linear portrait of a man with a beard, long eyebrows and large ears, wearing a hood; block of text above — The Buddhist Layman Vimalakīrti, 18th century
Hakuin Ekaku

G221

black ink and red chop marks on white; bull seen from behind at bottom, in black outline with round white center and gray horns; three lines of vertical characters at top; one red chop mark ULC, two red chop marks below line of characters at left; blue-green silk mount; black scroll bar — White Ox in the Open Air, 19th-20th century
Takeda Mokurai

G221

black ink and red chop marks on cream; seated male figure at bottom with three round objects placed before him, oval behind figure; three vertical lines of characters above figure; red chop mark in ULC, two red chop marks below line of characters at R; beige and olive silk mount; red scroll bar — Budai, 19th century
Shunsō Shōju

G221

two horizontal rows with sketches of four standing birds on each row, with watercolor backgrounds and highlights, with the title written below each row — People came from far and wide to see the giant birds, 1971
June Leaf

G353

Sources of Strength, Jaune Quick-to-See Smith — Sources of Strength, 1990
Jaune Quick-to-See Smith

Not on View

circle of a single brushstroke at right; text at left; 2 seals in LLC, 1 in ULC — Ensō, 19th century
Taidō Sōtō

G221

image of a green, blue and brown bird on a branch preening its wing; gold frame with glass — Indian Roller on Sandalwood Branch, 1779
Sheikh Zain al-Din

G211

rock wall with drain; building at top — Horikawa, 1966
Tanaka Ryōhei

G226

building with steep thatched roof; man squatting below building next to a box of bottles near a bicycle; boxes of bottles, beer ads, and soda ads in front of shop — Thatched roof No. 10, 1970
Tanaka Ryōhei

G227

black and white image; two houses under a large tree; grass leaves on right, left and bottom of image; clothes line to left of houses — My old home, 1969
Tanaka Ryōhei

G226

wooden pagoda with on stone base off of wide pebbled path; wooden boards at flaring foot; balcony and slatted windows; wide, dramatic roof — Temple bell tower (Daitokuji), 1964
Tanaka Ryōhei

G226

old style Japanese building with high pitched thatched roof with opening in peak at top; shaded windows, open door, torn window covering at L; grasses in foreground — Thatched roof No. 13, 1972
Tanaka Ryōhei

G227

pitched roof homes of various sizes behind a wall tucked into a forest; — House in a grove, 1966
Tanaka Ryōhei

G226

black and white etching of a cut lotus root (?) lying on its side — Bamboo sprout, 1969
Tanaka Ryōhei

G226

black and white image; building with large flat room and smaller flat roof on left; slatted roof on top — Yamato farm house, 1965
Tanaka Ryōhei

G226

bouquet of flowers — Flowers, 1970
Tanaka Ryōhei

G226

ruined thatch-roofed building — Ruined house No. 2, 1966
Tanaka Ryōhei

G226

passageway on street with tile roof overhang — An alley, 1970
Tanaka Ryōhei

G227

spider against black ground over center of flower — Chrysanthemum, 1969
Tanaka Ryōhei

G227

Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle — Iskandar (Alexander the Great) Battling the Zangi, c. 1550
Iran

G243

Untitled (New York), George Morrison — Untitled (New York), 1954
George Morrison

G261

Shōki Carrying Two Baskets of Demons, Kitagawa Hidemaro — Shōki Carrying Two Baskets of Demons, 1800s
Kitagawa Hidemaro

G219

large rutabaga bursting from the ground with bushy foliage in ink, wash and dry brush; green ceramic rollers — The Giant Rutabaga from Fu-Yang, c. 1715
Li Shan

Not on View

figure in URC holding a rope attached to a basket which is in the water below (in LLC) — God of Thunder and His Drum, 18th-19th century
Attributed to Katsushika Hokusai

Not on View

2 large bamboo shoots, one diagonally from UL to LR corners, other behind, on a slight diagonal to opposite corners — Bamboo Shoots, from an album of vegetables, Date Unknown
Bian Shoumin

Not on View

lotus flowers and bud, with long, thin, spotted stems and large leaves growing in water with floating leaves and grass — Ink Lotus after Bada Shanren, 1727
Gao Fenghan

Not on View

rocky landscape with waterfall at R; builidng nestled between rocks at L, preceeded by steps; from an album of 12 drawings in ink and wash; short inscription and stamps in red — Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774
Wang Chen

Not on View

field in LLC; buildings nestled in rocky mountainous landscape; stepped path through mountains vertically through center of image; from an album of 12 drawings in ink and wash; short inscription and stamps in red — Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774
Wang Chen

Not on View

buildings in LRC and LLC in a rocky landscape; building near top center on top of mountain peak; 2 figures, LLC; from an album of 12 drawings in ink and wash; short inscription and stamps in red — Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774
Wang Chen

Not on View

sailboats on water at center; buildings and trees at bottom in rocky landscape; 2 islands at top; from an album of 12 drawings in ink and wash; short inscription and stamps in red — Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774
Wang Chen

Not on View

irregular rock, LRC; bamboo with dark leaves at L; text, URC — Bamboo and Rock after Zheng Xie, 1919
Wu Changshuo

Not on View

plants with very straight stalks at R; long, pointed leaves fan out at top; text at bottom center — Plants, from a set of four, 1838
Rushan

Not on View

buildings at LRC; tower at bottom near center; 3 boats at bottom center; water at L; rocky landscape with walkways and bridges; from an album of 12 drawings in ink and wash; short inscription and stamps in red — Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774
Wang Chen

Not on View

abstracted sketchy landscape of mountains and foliage on rocks — Landscape, from a triptych of White-robed Kannon with Landscape and Tiger, 17th century
Kano Tan'yū

Not on View

Shōki, the Demon Queller, Attributed to Katsushika Hokusai — Shōki, the Demon Queller, 18th-19th century
Attributed to Katsushika Hokusai

Not on View

figure wearing a white robe, seated on an abstract, blossom-like throne; circular light area behind figure; waterfall, LLC — White-robed Kannon, from a set of White-robed Kannon with Landscape and Tiger, 17th century
Kano Tan'yū

Not on View

standing tiger; open mouth; looking to proper left; bronze and pale green brocade border — Walking Tiger, 16th century
Unknown Japanese

Not on View

standing robed figure with dark hair, holding a smoking incense burner — Shotoku Taishi, 1800
Kōgan Gengei

Not on View

four lines of calligraphy; fifth line of smaller characters at L, with larger characters forming signature at LL; bold rectangular red seal at URC; red seal LLC — Poem on Peach Blossoms, 1880
Kikuchi Sankei

Not on View

ten total lines; six full lines of scribbled cursive beginning at R; seventh line is shorter and indented; two shorter lines at L; closest line to L edge is written in very small script — Letter, late 18th - early 19th century
Kan Chazan

Not on View

eight lines of calligraphy on gray paper; signature at L; brown mount with blue detail — No Footprints, first half 18th century
Gion Nankai

Not on View

three full lines of bold calligraphy, fourth partial line; oval relief stamp URC; two square intaglio stamps LLC — Large Poem in Four Columns, mid 19th century
Shinozaki Shōchiku

Not on View

eight lines of neatly written calligraphy; first two lines are only a few characters; last line is also short; oval relief stamp URC; large square intaglio stamp at L edge; large square relief stamp at L edge — Eight-Line Poem, late 18th century
Uno Genshō

Not on View

fourteen lines of calligraphy on a fan; mostly alternating between four characters and one character; signature is very last (far L) line; previous two lines of two characters; one intaglio and one relief stamp LLC; mounted on white board with gold trim — Spring Rain, late 18th - early 19th century
Takemoto Tōtoan

Not on View

cluster of slender bamboo stalks at L growing upward toward UR, one branch is bending towards LR; drooping bamboo foliage near ends of stalks; stalks and leaves outlined with white against grey background to give illusion of snow — Bamboo in Snow, mid 18th century
Takebe (Tatebe) Ryōtai (Ayatari)

Not on View

six total lines; four full lines of expressive, bold, angular calligraphy; the two lines near the L are shorter; small rectangular relief stamp URC; two square stamps, one intaglio, one relief, at LLC; ink stain on R edge LRC — Quatrain in cursive Script, second half 19th century
Ōnuma Chinzan

Not on View

thirty lines of very neatly written calligraphy; many characters have red circles next to them — Draft panel in standard script, second half 18th century
Attributed to Kimura Kenkadō

Not on View

white robed figure sitting cross-legged at lower center of image; large, dark rock at bottom center; hanging foliage at upper center — Bodhisattva Kannon, early 17th century
Dōei

Not on View

small figure in a boat, LLQ; mountains in background; land at right, with large tree and small building; inscription in URQ; ivory roller ends — Autumn View, December 1922
Fukuda Kodōjin

Not on View

three lines of calligraphy at top half of image; two sketchy walking figures at bottom, holding tall, long sticks up to their foreheads — Women of Ōhara, second half 19th century
Murase Taiitsu

Not on View

irregular rock painted with thick brush at bottom; large inscription in top portion echoing shape of rock — Heaven's True Painting Immortal, mid 19th century
Morita Sessai

Not on View

close-up image of a tiger's face, chest and PR front leg; tiger appears to be approaching viewer, looking towards LL; portion of tail coming to view at bottom — Sketch of a Tiger, mid 19th century
Tsubaki Chinzan

Not on View

fourteen lines of calligraphy; first six lines are written with slightly larger characters; remaining eight lines are smaller, and more closely spaced; signature at far L, overlapping large square intaglio seal; smaller rectangular intaglio seal at R center edge — Calligraphy in Running Script, mid 19th century
Murase Tōjō

Not on View

crooked, gnarled tree growing from bottom center towards top with sharply downturned branches and white blossoms; inscription at ULQ — Pure Spirit of Antiquity, second half 19th century
Yamanaka Shinten'ō

Not on View

three long lines and one short line of looping, bold calligraphy; lines of smaller characters at left; three red seals--two in LLC, one in URC; blue floral mount; ivory roller ends — Distant Autumn Colors, 1783
Ryū Kōbi

Not on View

four full lines of calligraphy with two shorter lines at L; brown mount — Quatrain on the Green Mountains, mid 19th century
Satō Issai

Not on View

one very large character at far R; two lines of graceful calligraphy at center; two smaller lines at far L with inscription and signature; rectangular intaglio stamp URC; circular relief stamp with waves at LLC — Blessings, 1865
Sesshū

Not on View

seven lines of very angular, confident calligraphy; rectangular intaglio stamp URC; two square intaglio stamps LLC, signature is seventh line; mounted to large sheet of tan paper — Poem at Age 72, 1849
Tōjō Ichidō

Not on View

three figures in white robes; older figure with large white beard at L standing somewhat hunched forward; younger figure at R leaning forward towards L with arms outstretched; shorter, balding figure in back holding rolled scrolls in PL arm — Scholars Meet to Look at Paintings, late 18th - early 19th century
Ki Baitei

Not on View

white-robed figure seated on edge of a rocky outcropping over crashing waves; very faint grey halo behind head; green mount — White-robed Kannon, mid 19th century
Nakabayashi Chikkei

Not on View

rear 3/4 view of white robed figure kneeling before black instrument; short inscription UL — T'ao Yuan-ming and his Stringless Qin, late 18th - early 19th century
Minagawa Kien

Not on View

boy at L, holding switch in one hand, tugs on rope attached to ox's nose, at R; ox looking towards boy but does not appear to be moving; standing on embankment — Ox and Herdboy, 16th-18th century
Unknown , Japanese; Inscriber: Inscription attributed to Nankō Sōgen

Not on View

two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL — Amid the Mountains, second half 19th century
Yamanaka Shinten'ō

Not on View

four lines of curling, sinuous calligraphy; light grey-blue mount with tan border — Growing Old, late 18th - early 19th century
Kameda Bōsai

Not on View

four big, bold characters, one in each quadrant; rectangular intaglio stamp URC — Set of Three Poem Cards (shikishi), one of three, second half 19th century
Doi Gōga

Not on View

14 lines of rather small, looping calligraphy; two large red seals at left edge, below center — Su Shi's First Ode to the Red Cliff, 1826
Tōkai Okon

Not on View

two full lines of calligraphy, boldly and expressively written; shorter line with stray characters at far L — American Ship, first half 20th century
Fukuda Kodōjin

Not on View

two columns of bold text; two red seals in LLQ; one red seal in URC — The Setting Sun, early 18th century
Ogyū Sorai

Not on View

three lines of bold text; three small characters above two red seals at left edge, LLQ — Du Fu's Over the Blue River, late 17th-early 18th century
Sasaki Shōgen

Not on View

three lines of looping, bold text; two square red seals, LLC; one red seal, URC — Old Trees, late 18th - early 19th century
Kameda Bōsai

Not on View

four lines of calligraphy with smaller, shorter fifth line at L; brown mount with blue brocade — Confucian Exhortation, second half 18th century
Chō Tōsai

Not on View

school of carp swimming among seaweed; large fish near center with smaller ones swimming in all directions; driftwood and stumps at bottom — Carp, first half 19th century
Kuroda Tōkō

Not on View

two lines of fat, bold calligraphy — The Carp in the Valley, 1972 (?)
Kaneko Tohta

Not on View

angled broom at LR; one lined inscription at L, starting with one loopy character at UL extending into long, vertical line — Broom, first half 20th century
Fukuda Kodōjin

Not on View

two larger characters in horizontal format; two small characters with two red seals at left; one red seal, URC — Window Snow, late 17th - early 18th century
Kō Gentai

Not on View

one long vertical line of calligraphy; two shorter, smaller parallel lines at bottom; mounted to textured steel blue paper mount — Single-line Calligraphy, mid 19th century
Shinozaki Shōchiku

Not on View

ten lines of cursive plus three shorter lines at far L; sketch of a quail at far R — Letter with a Quail, mid 19th century
Hine Taizan

Not on View

thirteen lines of calligraphy — Letter to Takami Sōkyū, early 18th century
Ogyū Sorai

Not on View

three lines of calligraphy on brown paper; pink mount — Hidden Spring, mid 19th century
Kōno Tettō

Not on View

right scroll of a triptych; five large, curving dry-brush text characters; one red seal, URC; iridescent blue and pink brocade strips with white background above and below calligraphy; turquoise ceramic (?) roller ends — River Winds [right scroll of a triptych], mid 18th century
Chō Tōsai

Not on View

three larger characters at top center; two parallel lines below of looping writing; circular relief stamp URC; two square intaglio stamps at bottom; gold border — Mount Fuji, second half 19th century
Yamanaka Shinten'ō

Not on View

one vertical line of eight characters; two red seals LC with line of smaller characters above — A Confucian principle, 1771
Itsuzan

Not on View

small bat at top; moon with blue-grey ring around it and horizontal clouds in sky at bottom; long, large calligraphic inscription along right edge; three seals — Bat Flying Over the Moon, c. 1824
Kameda Bōsai

Not on View

showing 100 of 1667 results matching medium:"Ink on paper". (load 200 more)

Download results as CSV